top of page
without harmony
Geoffrey Aitken
the position
of many publishers
has never been
clearer
about aesthetics
and how evidence
might best appear
when written words
picture homelessness
on the footpath
under
ragged coverlets
as an experience
crying out for help
yet only acceptable
if poetically precise
and not distracted by the beauty
of the adjacent landscape
within a walking distance
that removes the bleakness.
bottom of page